🎪 Let It Shine: The Summer the Dead Took Over Watkins Glen
- China Cat Chat
- Jun 9
- 3 min read
~The untold harmony of mud, music, and 600,000 dancing souls
There are moments in music history when the stars align, the amps hum just right, and something bigger than a concert takes shape. Not just a show—but a shimmering, wild, communal experience that lingers across decades like the last notes of a favorite song.
Watkins Glen was that kind of moment.
🌀 Bigger Than Woodstock
It was July 28, 1973. The sleepy town of Watkins Glen, New York, was bracing for a rock festival expected to draw 150,000 fans.
Instead, over 600,000 people showed up.

That’s twice the size of Woodstock, and by many counts, the largest crowd ever assembled for a single concert in U.S. history.
More than a show, it became a movement—peaceful, blissed-out, and overflowing with raw, human connection. Roads backed up for miles. Fans ditched their cars and walked for hours just to be part of it. Helicopters dropped in supplies. And yet somehow, it worked.
“No fences. No security. Just music, mud, and the unmistakable feeling that you were part of something real.”
🎶 The Soundcheck That Became a Set
On Friday night, the Dead took the stage to test the PA system. What followed wasn’t a soundcheck—it was a full 90-minute jam for tens of thousands already on site.
This impromptu session is now known as the Watkins Glen Soundcheck Jam—a legendary set in the Dead’s sprawling lore. Dreamy, exploratory, loose in the best way. For many, it was the real highlight of the weekend. A piece of it is here, on Spotify...and if you don't have a Spotify account, here it is on YouTube.
🌤️ A Field of Freaks & Forever Vibes
By Saturday morning, the grounds had transformed into a psychedelic village.
Frisbees flew. Naked swimming happened. Communal meals were passed hand to hand. Drum circles popped up like fireflies. It was Deadhead utopia, wide open and weirdly functional.
The Dead’s actual set? Sprawling, soulful, and unforgettable.
Bertha
Beat it on Down the Line
Brown Eyed Women
Mexicali Blues
Box of Rain
Here Comes Sunshine
Looks Like Rain
Row Jimmy
Jack Straw
Deal
Playing in the Band
Around and Around
Loose Lucy
Big River
He's Gone
Truckin'
Nobody's Jam
El Paso
China Cat Sunflower
I Know You Rider
Stella Blue
Eyes of the World
Sugar Magnolia
Sing Me Back Home
“If your shoes were muddy and your tent was soaked, it just added to the myth.”
📻 The Afterglow
Unlike Woodstock, there was no documentary. No official merch. No commemorative box set. Just stories. Bootlegs. Photos. Memory.
Watkins Glen wasn’t about hype—it was about presence. And it proved something powerful: that a band without a hit single, without radio play, could still pull together a tribe of hundreds of thousands. Through word of mouth alone.
🌹 Echoes in the Now
As Michelle and I look ahead to the 60th anniversary celebrations in Golden Gate Park this August, Watkins Glen is echoing in our hearts. It reminds us that this music, this scene, was never just about the songs—it’s about gathering. About feeling alive and connected under the open sky. About dancing with strangers who somehow feel like kin.
If you’re heading to the Park, come say hi. We’ll have China Cat Chat stickers and postcards in our pockets and smiles to share. And if we’re lucky, maybe the wind will carry a few notes from a jam in a muddy New York field, half a century ago, on the other side of the country.
See you on the bus. ✌️🌹⚡





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